{"id":8179,"date":"2017-10-27T11:42:41","date_gmt":"2017-10-27T18:42:41","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=8179"},"modified":"2017-10-28T15:27:51","modified_gmt":"2017-10-28T22:27:51","slug":"video-pick-of-the-week-chaconne-klaverenga-plays-paganinis-daunting-caprice-no-5","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-chaconne-klaverenga-plays-paganinis-daunting-caprice-no-5\/","title":{"rendered":"Video Pick of the Week: Chaconne Klaverenga Plays Paganini&#8217;s Daunting &#8216;Caprice No. 5&#8217;"},"content":{"rendered":"<p>To celebrate the 235th birthday (October 27) of Italian virtuoso violinist, guitarist, and composer <a href=\"http:\/\/www.paganini.com\/nicolo\/nicindex.htm\" target=\"_blank\" rel=\"noopener\">Niccol\u00f2 Paganini <\/a>(1782\u20131840), here&#8217;s a video of of one of his most challenging pieces, <em>Caprice No. 5<\/em>. Many of you undoubtedly know his <em>Caprice No. 24<\/em>, which has become a virtual standard in the repertoire of advanced classical guitarists\u2014well, No. 5 might be even more wickedly difficult, requiring\u00a0incredible speed and dexterity from the fingers of both hands. It&#8217;s played here with calm confidence by the young American guitarist <a href=\"http:\/\/www.chaconneklaverenga.com\/\" target=\"_blank\" rel=\"noopener\">Chaconne Klaverenga<\/a>, who studied with Jason Vieaux and earned her master&#8217;s degree from the Cleveland Institute of Music (where Vieaux teaches). Paganini wrote his Caprices for solo violin, and here Chaconne plays the guitar transcription by the great <a href=\"http:\/\/www.eliotfisk.com\/\" target=\"_blank\" rel=\"noopener\">Eliot Fisk<\/a>, who was the first guitarist to record all 24, on his 1993 album, <a href=\"http:\/\/amzn.to\/2gQ33xc\" target=\"_blank\" rel=\"noopener\"><em>Paganini: 24 Caprices<\/em><\/a>.\u00a0 \u2014<em>Blair Jackson<\/em><\/p>\n<p><em>As a bonus, here Ms Klaverenga playing<\/em> Caprice No. 24, <em>another Fisk transcription,<\/em>\u00a0<em>in May 2017:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/WXIVZ25vHJ4\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>To celebrate the 235th birthday (October 27) of Italian virtuoso violinist, guitarist, and composer Niccol\u00f2 Paganini (1782\u20131840), here&#8217;s a video of of one of his most challenging pieces, Caprice No. 5. Many of you undoubtedly know his Caprice No. 24, which has become a virtual standard in the repertoire of advanced classical guitarists\u2014well, No. 5 might be even more wickedly difficult, requiring\u00a0incredible speed and dexterity from the fingers of both hands. It&#8217;s played here with calm confidence by the young [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":8181,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-8179","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/10\/chaconne.jpeg?fit=2000%2C1328&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=8179"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8179\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/8181"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=8179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=8179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=8179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}