{"id":8368,"date":"2017-11-17T13:20:00","date_gmt":"2017-11-17T21:20:00","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=8368"},"modified":"2017-11-17T13:20:00","modified_gmt":"2017-11-17T21:20:00","slug":"video-pick-of-the-week-manus-noble-plays-gary-ryans-swingin-hot-club-francais","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-manus-noble-plays-gary-ryans-swingin-hot-club-francais\/","title":{"rendered":"Video Pick of the Week: Manus Noble Plays Gary Ryan&#8217;s Swingin&#8217; &#8216;Hot Club Fran\u00e7ais&#8217;"},"content":{"rendered":"<p>As a longtime fan of Django Reinhardt and Hot Jazz in general, I was naturally drawn to composer\/guitarist <a href=\"http:\/\/garyryan.co.uk\/\" target=\"_blank\" rel=\"noopener\">Gary Ryan<\/a>&#8216;s delightful and swinging <em>Hot Club Fran\u00e7ais<\/em>, written for fellow UK composer\/guitarist <a href=\"http:\/\/www.manusnoble.com\/\" target=\"_blank\" rel=\"noopener\">Manus Noble<\/a>, who performs it in this video. The music is available from <a href=\"https:\/\/www.productionsdoz.com\/en\/catalog\/sheet-music-for-guitar-en\/solo-guitar-en\/hot-club-francais-en\/\" target=\"_blank\" rel=\"noopener\">Doberman-Yppan<\/a>.\u00a0\u00a0\u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>As a longtime fan of Django Reinhardt and Hot Jazz in general, I was naturally drawn to composer\/guitarist Gary Ryan&#8216;s delightful and swinging Hot Club Fran\u00e7ais, written for fellow UK composer\/guitarist Manus Noble, who performs it in this video. The music is available from Doberman-Yppan.\u00a0\u00a0\u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":8382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-8368","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/11\/manus.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=8368"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8368\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/8382"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=8368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=8368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=8368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}