{"id":8538,"date":"2017-12-08T13:34:25","date_gmt":"2017-12-08T21:34:25","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=8538"},"modified":"2017-12-08T13:54:58","modified_gmt":"2017-12-08T21:54:58","slug":"recent-album-releases-new-zealand-guitar-quartet-joel-karlsson-and-alan-rinehart","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/recent-album-releases-new-zealand-guitar-quartet-joel-karlsson-and-alan-rinehart\/","title":{"rendered":"Recent Album Releases: New Zealand Guitar Quartet, Joel Karlsson, and Alan Rinehart"},"content":{"rendered":"<p>Most weeks we take a peak at recent albums or sheet music releases. Here are three of the CDs that have come into the\u00a0<em>Classical Guitar<\/em>\u00a0office recently.<\/p>\n<p>If you have a CD you\u2019d like to submit to us, here\u2019s our address:<\/p>\n<p>Classical Guitar<br \/>\n501 Canal Blvd. suite J<br \/>\nRichmond, CA 94804-3505<\/p>\n<p>Some of the albums we talk about online will be reviewed in the magazine, some not. But we want to at least mention most of them here. You can listen to some of these on various of streaming services, but we always encourage you to support the artists by actually\u00a0<em>buying<\/em>\u00a0anything you like! Obviously we cannot research and report every outlet or online business where these albums are sold, so check your favorite places that sell CDs and downloads!<\/p>\n<p>To see our previous listings, scroll to the bottom of the page.<\/p>\n<p><em>\u00a0<\/em><em>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u2014Blair Jackson<\/em><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-8540\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/nzgq-300x268.jpeg?resize=300%2C268\" alt=\"\" width=\"300\" height=\"268\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/nzgq.jpeg?resize=300%2C268&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/nzgq.jpeg?resize=768%2C685&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/nzgq.jpeg?resize=1024%2C913&amp;ssl=1 1024w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/nzgq.jpeg?w=1120&amp;ssl=1 1120w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>The Passing of a Black Star<\/strong><\/em><br \/>\n<strong>New Zealand Guitar Quartet<\/strong><br \/>\nRattle<\/p>\n<p>A couple of years ago, in writing about the New Zealand Quartet&#8217;s album <a href=\"http:\/\/classicalguitarmagazine.com\/cd-reviews-looking-in-on-new-zealand-classical-guitar-discs-from-mike-hoganchristopher-hill-john-couch-and-the-nzgq\/\" target=\"_blank\" rel=\"noopener\"><em>The Storm<\/em><\/a>, I noted that four of the large suites on the album had first been recorded by the LAGQ, who have, it&#8217;s fair to say, set the modern standard for guitar quartets (post-Los Romeros). Even then, the NZGQ\u2014Owen Moriarty, Christopher Hill, Jane Curry, and John Couch\u2014had its own identity, but with this magnificent new album, they prove without a doubt that they are now masters of their own destiny and in the top echelon of ensembles.<\/p>\n<p>Once again, their recording is dominated by a diverse selection of multi-movement pieces, including a sparkling version of Bach&#8217;s instantly recognizable\u00a0<em>Brandenburg Concerto No. 3<\/em> (the LAGQ recorded only the opening &#8220;Allegro&#8221; many years ago; this arrangement is by the NZGQ&#8217;s Owen Moriarty); contemporary composer Bruce Paine&#8217;s six-part\u00a0<em>Aortearoa Suite<\/em> (that&#8217;s the M\u0101ori name for New Zealand), which has structural and specific allusions to Bach, yet still feels refreshingly contemporary with its jazz and folk flourishes; Alb\u00e9niz&#8217;s wonderful\u00a0<em>Spanish Rhapsody\u00a0Op. 70<\/em>, arranged by for guitar quartet by Moriarty from a two-piano score (destined to become a guitar quartet classic; mark my words!); and NZ composer Craig Utting&#8217;s evocative <em>Onslow Suite<\/em>, written for three pianos and arranged by Moriarty\u2014a bracing dash of modernity after the Bach, full of surprises and many moods and colors.<\/p>\n<p>The one free-standing piece is the 10-minute title track, <em>The Passing of a Black Star<\/em>, written by Slovakian-born Australian composer\/conductor\/guitarist\u00a0Mari\u00e1n Budo\u015d as a tribute to rock star David Bowie, whose excellent final album, released two days before he died of cancer in January 2016, was called <em>Blackstar<\/em>.\u00a0Budo\u015d inserts fragments of a couple of songs from that Bowie album into the piece but surrounds it with original material\u2014as he writes in the liner notes, &#8220;the piece is an homage to the eclectic qualities of Bowie&#8217;s final masterpiece, in which pop, rock, and jazz are interwoven with classic music techniques.&#8221; It&#8217;s exciting and unpredictable, which is a comment you could make about this superb album as a whole.<\/p>\n<p><em>Aotearoa Suite<\/em> (Paine); <em>Spanish Rhapsody Op. 70<\/em> (Albeniz; arr. Moriarty); <em>The Passing of a Black Star<\/em> (Budos); <em>Brandenburg Concerto No. 3<\/em> (Bach); <em>Onslow Suite<\/em> (Utting; arr. Moriarty)<\/p>\n<p>This NZGQ album can be streamed and purchased digitally through<a href=\"https:\/\/itunes.apple.com\/us\/album\/the-passing-of-a-black-star\/id1244051690\" target=\"_blank\" rel=\"noopener\"> iTunes\/AppleMusic<\/a>, bought on CD through the group&#8217;s <a href=\"http:\/\/www.nzguitarquartet.com\/the-passing-of-a-black-star.html\" target=\"_blank\" rel=\"noopener\">website<\/a>, streamed on <a href=\"https:\/\/open.spotify.com\/album\/7LPsmP5W639TWW0PRapMBA\" target=\"_blank\" rel=\"noopener\">Spotify<\/a>,<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/sriVEMDSci8\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-8545\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/joel-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/joel.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/joel.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/joel.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/joel.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Bright Nights<br \/>\n<\/strong><\/em><strong>Joel Karlsson<\/strong><br \/>\nself-released<\/p>\n<p>I would describe Swedish guitarist <a href=\"https:\/\/joelkarlsson.com\/\" target=\"_blank\" rel=\"noopener\">Joel Karlsson<\/a>&#8216;s sonorous and mellow new album as more &#8220;folk&#8221; than traditionally &#8220;classical&#8221;; indeed, in tone and texture it sometimes reminds me a bit of the bucolic early Windham Hill steel-string guitar releases by Will Ackerman and Alex DeGrassi (though my limited exposure to Swedish folk music suggests that is probably a stronger influence than any American sources). My trusty Google Swedish-to-English translator provides a few clues, perhaps, to some of the images Karlsson is trying to put across: &#8220;in the grass&#8221; (<em>I gr\u00e4set<\/em>), &#8220;on their own paths&#8221; (<em>P\u00e5 egna stigar<\/em>), &#8220;through the window&#8221; (<em>Genom f\u00f6nstret<\/em>), &#8220;bright nights&#8221; (<em>Ljusa n\u00e4tter<\/em>). Mostly Karlsson keeps the mood fairly light and upbeat; melody reigns supreme! (One exception to that is the darker-hued &#8220;Calling,&#8221; one of the strongest tracks on the album.) On a few numbers, Karlsson duets with flautist (and clarinetist) P\u00e4r Grebacken, and there are also two songs featuring Karlsson&#8217;s own pleasant singing (in Swedish). <em>Trollsommar<\/em> (you can hear it below) features double-tracked guitar to very nice effect, with some nice riffing and even a brief wide-open moment of jamming. All in all, it&#8217;s an agreeable outing.<\/p>\n<p><em>Preludium No. 2<\/em>; <em>Nordisk suite No. 2<\/em>; <em>Silverv\u00e5g<\/em>; <em>Genom f\u00f6nstret<\/em>; <em>Trollsommar<\/em>; <em>Ljusa n\u00e4tter<\/em>; <em>Raft<\/em>; <em>I gr\u00e4set<\/em>;\u00a0<em>P\u00e5 egna stigar<\/em>; <em>Runs\u00e5ng No. 2<\/em>; <em>Calling<\/em>; <em>Last Dance<\/em><\/p>\n<p><em>Bright Nights<\/em> can be heard and purchased through <a href=\"https:\/\/itunes.apple.com\/ca\/album\/bright-nights\/1289027687\" target=\"_blank\" rel=\"noopener\">iTunes\/AppleMusic<\/a>, is available digitally from <a href=\"http:\/\/amzn.to\/2iFILDW\" target=\"_blank\" rel=\"noopener\">Amazon<\/a>, and can be listened to on <a href=\"https:\/\/open.spotify.com\/album\/2grRMkCmGZ9rMvXlYzSnmo\" target=\"_blank\" rel=\"noopener\">Spotify<\/a> and <a href=\"https:\/\/www.youtube.com\/results?search_query=joel+karlsson+bright+nights\" target=\"_blank\" rel=\"noopener\">YouTube<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/vGiYGgGo1tM\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-8563\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/verdi-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/verdi.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/verdi.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/verdi.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/verdi.jpg?w=396&amp;ssl=1 396w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Verdi\u2019s Guitar<\/strong><\/em><br \/>\n<strong>Alan Rinehart<\/strong><br \/>\nRavello<\/p>\n<p>I will be the first to admit that I know very little about opera; it\u2019s not among my favored styles of music, though I certainly appreciate the skills of everyone involved, and I\u2019m still open to becoming a late-life convert. But I <em>do<\/em> love a beautiful melody, stirring themes, and can enjoy the drama of a great aria\u2014particularly in instrumental form. Which is a good thing, since arranging opera pieces (vocal and instrumental) dominated so much of the writing for guitar during the 19th century.<\/p>\n<p>Here, the fine Canadian guitarist Alan Rinehart, who has put out five CDs on his own and was previously associated with the Vancouver Guitar Quartet, presents six medleys\/fantasies drawn from mid-19th century operas written by Giuseppe Verdi (1813\u20131901) and arranged for guitar by a Verdi contemporary, J.K. Mertz (1806\u20131856). As noted in Ravello Records\u2019 description, \u201cThe six Verdi fantasies are taken from a larger Mertz collection of 34 similar pieces based on operas, called <em>Opern-revue, Op. 8<\/em>. These \u2018revues\u2019 were not unlike works for piano by composers such as Liszt, which were arrangements of or fantasies on popular operatic arias. Both these and Mertz\u2019s revues responded to the popular demand of the opera \u2018experience\u2019 adapted for a small, private setting. Mertz\u2019s revues are more ambitious, however\u2014they adapt not just a single aria, but the entire opera, compressing a large scale, two- to three-hour production into a 10\u201315 minute piece medley for solo guitar.\u201d<\/p>\n<p>The results are spectacular! I literally knew exactly ONE theme on the album well\u2014&#8221;La Donna\u00a0\u00e9 Mobile,&#8221; from <em>Rigoletto<\/em>\u2014and a couple of others from <em>Il Trovatore<\/em> and <em>La Traviata<\/em> seemed somewhat familiar, but basically this was all new to me. And I was so impressed by the seamlessness of Mertz&#8217;s medleys\u2014the tasteful juxtaposition of sweeping themes, arias, and assorted waltz and other &#8220;dance&#8221; segments. I never felt &#8220;cheated&#8221; by the relative brevity of each section, and the transitions all felt natural and not at all abrupt. Each piece seems like its own self-contained musical universe, with its own character, flow, drama and excitement. And as a <em>guitar<\/em> album, it covers an amazing amount of stylistic ground and demands much of the guitarist, with the multitude of tempo and rhythm changes in all six pieces, not to mention some very difficult tremolo passages in <em>Ernani<\/em> and <em>Il Vesperi Siciliani\u00a0<\/em>(neither of which I&#8217;d ever heard of, but which ended up being two of my favorites, along with <em>Il Travatore<\/em>, which has a marvelously brooding, Beethovenian opening). Rinehart&#8217;s playing is crisp, confident, and passionate throughout\u2014on the exciting runs and flourishes midway through <em>Ernani<\/em>, on the martial-sounding cadences in <em>Nabucco<\/em>, on the moving, elegiac passages near the end of <em>Il Vesperi<\/em>, etc. What a treat! I would think that people who actually know these operas would really enjoy this, and that for advanced players, any one of these pieces would be highly entertaining for a concert audience. Highly recommended!<\/p>\n<p><em>Nabucco<\/em>; <em>Ernani<\/em>; <em>Rigoletto<\/em>; <em>Il Trovatore<\/em>; <em>La Traviata<\/em>; <em>Il Vesperi Siciliani<\/em><\/p>\n<p>The album can be streamed and purchased through <a href=\"http:\/\/amzn.to\/2j3r05p\" target=\"_blank\" rel=\"noopener\">Amazon<\/a>, and\u00a0<a href=\"https:\/\/itunes.apple.com\/us\/album\/verdis-guitar\/1277971438\" target=\"_blank\" rel=\"noopener\">iTunes\/AppleMusic;<\/a>\u00a0and streamed on <a href=\"https:\/\/open.spotify.com\/album\/185rG2ev1wmIbzZaqKkJrw\" target=\"_blank\" rel=\"noopener\">Spotify<\/a>.<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/5_Lj8wnoIQ0\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Previous CD listings:<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/baroque-russians-moller-and-more-a-glance-at-some-recent-cd-releases\/\">October 4, 2016:<\/a>\u00a0Jacob Cordover,\u00a0Oleg Timofeyev and John Schneiderman,\u00a0Arka\u00eftz Chambonnet, Matthew Fish, Gidi Ifergan<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-bach-new-music-from-canada-sor-and-more\/\">October 18:<\/a>\u00a0Norbert Kraft and Jeffrey McFadden, Steve Cowan, Katrin Endrikat, Jason Vieaux and Julien Labro, Yenne Lee, Emanuele Segre<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/new-releases-tuesday-cds-from-virginia-luque-jon-gjylaci-fabiano-borges-and-others\/\">November 1:<\/a>\u00a0Virginia Luque and Bojidara Kouzmanova, Jon Gjylaci, Fabiano Borges, Alfonso Baschiera, Miscelanea Guitar Quartet, J.P. McShane<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-antigoni-goni-adam-levin-antonio-malinconico-black-cedar-and-more\/\">November 15<\/a>: Antigoni Goni, Adam Levin, Rado\u015d Malid\u017ean, Black Cedar, Lou Marinoff, Antonio Malinconico<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-chroma-duo-thibaut-garcia-marcelo-de-la-puebla-yiannis-giagourtas-and-carsten-pedersen\/\">November 22:<\/a>\u00a0Marcelo de la Puebla, ChromaDuo, Carsten Pedersen, Thibaut Garcia, Yiannis Giagourtas<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-zsofia-boros-andrea-bissoli-philippe-sly-carlos-dorado-and-steven-joseph\/\" target=\"_blank\" rel=\"noopener noreferrer\">December 13<\/a>:\u00a0Zs\u00f3fia Boros, Andrea Bissoli, Philippe Sly &amp; John Charles Britton, Carlos Dorado, Steven Joseph<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-joao-carlos-victor-frank-wallace-simon-thacker-justyna-jablonska\/\" target=\"_blank\" rel=\"noopener noreferrer\">December 27:<\/a>\u00a0\u00a0Jo\u00e3o Carlos Victor, Frank Wallace, Simon Thacker &amp; Justyna Jablonska<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-alberto-la-rocca-jeffrey-mcfadden-michael-kolk-and-stefan-koim\/\" target=\"_blank\" rel=\"noopener noreferrer\">January 10, 2017:<\/a>\u00a0Alberto La Rocca, Jeffrey McFadden &amp; Michael Kolk, Stefan Koim<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-fabio-zanon-marcelo-kayath-david-norton-cindy-spell-and-jeff-gosselin\/\" target=\"_blank\" rel=\"noopener noreferrer\">January 24:<\/a>\u00a0Fabio Zanon, Marcelo Kayath, David Norton &amp; Cindy Spell, Jeff Gosselin<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-from-the-canadian-guitar-quartet-mats-bergstrom-john-sargent-and-dimitris-kotronakis\/\" target=\"_blank\" rel=\"noopener noreferrer\">February 7<\/a>:\u00a0Canadian Guitar Quartet, Mats Bergstr\u00f6m, John Sargent, Dimitris Kotronakis<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-cds-by-james-akers-gary-branch-karol-samuelcik-josef-mazan-and-john-lehman-haupt\/\" target=\"_blank\" rel=\"noopener noreferrer\">February 21<\/a>:\u00a0James Akers &amp; Gary Branch, Karol Samuel\u010d\u00edk, Josef Mazan, John Lehman-Haupt<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-meng-su-raphaella-smits-michaela-hrabankova-gabriel-bianco-and-mark-westling\/\" target=\"_blank\" rel=\"noopener noreferrer\">March 7:<\/a>\u00a0Meng Su, Raphaella Smits, Michaela Hrabankova &amp; Gabriel Bianco, Mark Westling<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-sabrina-vlaskalic-ozan-saritepe-and-simon-cheong\/\" target=\"_blank\" rel=\"noopener noreferrer\">March 21:<\/a>\u00a0Sabrina Vlaskalic, Ozan Saritepe, Simon Cheong<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-james-akers-duo-amaral-and-chris-fossek\/\" target=\"_blank\" rel=\"noopener noreferrer\">April 4<\/a>:\u00a0James Akers, Duo Amaral, Chris Fossek<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-pepe-romero-vicente-coves-carlos-walter-and-david-harenstam-et-al\/\" target=\"_blank\" rel=\"noopener noreferrer\">April 18<\/a>: Pepe Romero, Vicente Coves &amp; Extremadura Orchestra; Carlos Walter; David H\u00e4renstam (et al.)<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-kaiser-schmidt-guitar-duo-montreal-guitare-trio-and-nazrin-rashidova-slanislav-hvartchilkov\/\">May 2<\/a>:\u00a0Kaiser Schmidt Guitar Duo, Montr\u00e9al Guitare Trio, Nazrin Rashidova &amp; Slanislav Hvartchilkov<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-paul-galbraith-marc-teicholz-and-koen-claeys\/\" target=\"_blank\" rel=\"noopener noreferrer\">May 16<\/a>:\u00a0Paul Galbraith, Marc Teicholz, Koen Claeys<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-new-albums-by-michal-svoboda-and-izhar-elias\/\" target=\"_blank\" rel=\"noopener noreferrer\">May 3o<\/a>:\u00a0Michal Svoboda, Izhar Elias<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-eliot-fisk-beasers-guitar-concerto-duo-salmona-valette-and-evgeny-beleninov\/\" target=\"_blank\" rel=\"noopener noreferrer\">June 13<\/a>: Eliot Fisk, Duo Salmona-Valette, Evgeny Beleninov<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-xavier-jara-schneiderman-yamaya-duo-and-detlev-bork\/\" target=\"_blank\" rel=\"noopener\">July 11:\u00a0<\/a>Xavier Jara, Schneiderman-Yamaya Duo, Detlev Bork<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-cristiano-poli-cappelli-duo-villa-lobos-and-giancarlo-dipierro\/\" target=\"_blank\" rel=\"noopener\">July 25:\u00a0<\/a>Cristiano Poli Cappelli, D\u00fao Villa-Lobos, Giancarlo DiPierro<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-sharon-isbin-isabel-leonard-boyd-meets-girl-and-silvana-saldana\/\" target=\"_blank\" rel=\"noopener\">August 1:<\/a>\u00a0Sharon Isbin &amp; Isabel Leonard, Boyd Meets Girl, Silvana Salda\u00f1a<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-from-brasil-guitar-duo-maria-camitz-leif-hesselberg-and-duo-bohemico\/\" target=\"_blank\" rel=\"noopener\">August 8:\u00a0<\/a>Brasil Guitar Duo,\u00a0 Maria Camitz &amp; Leif Hesselberg, Duo Bohemico<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-new-albums-by-kenneth-meyer-flamenco-pacifico-and-jonathan-richards\/\" target=\"_blank\" rel=\"noopener\">August 22:\u00a0<\/a>Kenneth Meyer, Flamenco Pacifico, Jonathan Richards<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-albums-by-hamish-strathdee-thanos-mitsalas-plays-assad-chamber-works-and-tony-romano\/\" target=\"_blank\" rel=\"noopener\">September 12<\/a>:\u00a0Hamish Strathdee, Thanos Mitsalas Plays Assad Chamber Works, Tony Romano<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-album-releases-quatuor-eclisses-michael-kolk-plays-nick-peros-and-yuri-liberzon-plays-piazzolla\/\" target=\"_blank\" rel=\"noopener\">October 11:<\/a>\u00a0Quatuor Eclisses, Michael Kolk\/Nick Peros, Yuri Liberzon<\/p>\n<p><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-albums-from-lukasz-kuropaczewski-paul-psarras-and-james-akers-gabriella-di-laccio\/\" target=\"_blank\" rel=\"noopener\">October 25<\/a>:\u00a0Lukasz Kuropaczewski, Paul Psarras, James Akers &amp; Gabriella Di Laccio<\/p>\n<div class=\"fb-comments fb_iframe_widget fb_iframe_widget_fluid\" data-href=\"http:\/\/classicalguitarmagazine.com\/recent-album-releases-zoran-dukic-matt-withers-paul-ballam-cross\/\" data-numposts=\"5\" data-width=\"100%\" data-colorscheme=\"light\"><a href=\"http:\/\/classicalguitarmagazine.com\/recent-album-releases-zoran-dukic-matt-withers-paul-ballam-cross\/\" target=\"_blank\" rel=\"noopener\">November 8:<\/a> Zoran Dukic, Matt Withers, Paul Bellam-Cross<\/div>\n<div data-href=\"http:\/\/classicalguitarmagazine.com\/recent-album-releases-zoran-dukic-matt-withers-paul-ballam-cross\/\" data-numposts=\"5\" data-width=\"100%\" data-colorscheme=\"light\"><\/div>\n<div class=\"fb-comments fb_iframe_widget fb_iframe_widget_fluid\" data-href=\"http:\/\/classicalguitarmagazine.com\/recent-album-releases-zoran-dukic-matt-withers-paul-ballam-cross\/\" data-numposts=\"5\" data-width=\"100%\" data-colorscheme=\"light\"><a href=\"http:\/\/classicalguitarmagazine.com\/recent-albums-guitar-and-violin-luciano-and-mauro-tortorelli-mezzo-soprano-eva-beneke-and-nerea-berraondo-and-cello-jose-lezcano-and-rebecca-hartka\/\" target=\"_blank\" rel=\"noopener\">Nov. 29:<\/a>\u00a0Guitar and\u2026 Violin (Luciano and Mauro Tortorelli), Mezzo-soprano (Eva Beneke and Nerea Berraondo), and Cello (Jos\u00e9 Lezcano and Rebecca Hartka)<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Most weeks we take a peak at recent albums or sheet music releases. Here are three of the CDs that have come into the\u00a0Classical Guitar\u00a0office recently. If you have a CD you\u2019d like to submit to us, here\u2019s our address: Classical Guitar 501 Canal Blvd. suite J Richmond, CA 94804-3505 Some of the albums we talk about online will be reviewed in the magazine, some not. But we want to at least mention most of them here. You can listen [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":8543,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-8538","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/NZGQ-1.jpg?fit=400%2C400&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=8538"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8538\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/8543"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=8538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=8538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=8538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}