{"id":8745,"date":"2017-12-25T10:50:08","date_gmt":"2017-12-25T18:50:08","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=8745"},"modified":"2018-01-14T20:50:48","modified_gmt":"2018-01-15T04:50:48","slug":"drum-roll-please-blair-j-s-10-favorite-classical-guitar-discs-of-the-year","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/drum-roll-please-blair-j-s-10-favorite-classical-guitar-discs-of-the-year\/","title":{"rendered":"Drum Roll, Please: Blair J.&#8217;s 10 Favorite Classical Guitar Discs of the Year"},"content":{"rendered":"<p>I&#8217;ve sure listened to a lot of fantastic classical guitar albums in the past year! Herewith, ten of my favorites that I wrote about in this space from November 2016 to the beginning of December 2017; 112 in all. So it&#8217;s not technically a list of 2017 releases; several came out in 2016. A few of the descriptions have been shortened for this list. Feel free to tell us your own favorites from the past year-plus!\u00a0\u2014<em>Blair Jackson<\/em><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5272\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/Gjylaci-300x300.jpg?resize=300%2C300\" alt=\"gjylaci\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/Gjylaci.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/Gjylaci.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/Gjylaci.jpg?w=500&amp;ssl=1 500w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/Gjylaci.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<strong><em>Edges of Thought<br \/>\n<\/em><\/strong><strong>Jon Gjylaci<br \/>\n<\/strong>(Manchester Strings Records)<\/p>\n<p>Wonderful outing by Albanian guitarist living in England dips back to Alb\u00e9niz, Chopin, and Satie, but also a diverse group of contemporary composers, such as Leo Brouwer, Jorge Morel, Gary Ryan, and Miroslav Tadi\u0107. The Manchester UK\u2013based Northern String Quartet and percussionist Michael Walker add significant color to a number of tracks.<\/p>\n<p><em>Asturias<\/em>, <em>Rumores de la Caleta<\/em> (Alb\u00e9niz); <em>Valse, Op. posthume 69 No. 1<\/em> and <em>No. 2<\/em> (Chopin); Indifference (Colombo\/Murena); Un Die de Novembre (Brouwer); From Laments, Dances and Lullabies, Vol. 1: \u201cRustemul,\u201d \u201cMacedonian Girl,\u201d \u201cWalkdance\u201d (Tadi\u0107); <em>Benga Beat<\/em>, <em>Hot Club Fran<\/em><em>\u00e7ais<\/em> (Ryan); <em>Danza Brasilera<\/em> (Morel); <em>Gnossienne No. 1<\/em> (Satie)<\/p>\n<p>Physical CD is available from <a href=\"http:\/\/www.jongjylaci.com\/release\/458\/edges-thought#.WBOYKsnZ7fc\">Jon\u2019s website<\/a>; digital download from <a href=\"http:\/\/amzn.to\/2fnW5gF\">Amazon<\/a>.<\/p>\n<p>Watch Jon play Gary Ryan&#8217;s\u00a0<em>Hot Club Fran<\/em><em>\u00e7ais <\/em>below:<br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/Qfic9D3lh04\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-5574\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/ravel-300x300.jpg?resize=300%2C300\" alt=\"ravel\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/ravel.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/ravel.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/ravel.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/ravel.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2016\/11\/ravel.jpg?w=1000&amp;ssl=1 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<strong><em>Ravel, Debussy: Music for Two Guitars<br \/>\n<\/em><\/strong><strong>ChromaDuo<br \/>\n<\/strong>(Naxos)<\/p>\n<p>Aside from the opening number, which was arranged by Stephen Goss, the other pieces on this wonderful CD of French impressionist works by Maurice Ravel (1875\u20131937) and Claude Debussy (1962\u20131918) were arranged for two guitars by Tracy Anne Smith and Rob MacDonald, aka Canada\u2019s <a href=\"http:\/\/www.chromaduo.com\/\" target=\"_blank\" rel=\"noopener\">ChromaDuo<\/a>. As Graham Wade puts it in his notes for the CD, the composers\u2019 works \u201care sensuous and immediate, using vivid titles and an inventive vocabulary to create a world of imagination and spontaneity.\u201d \u00a0A revelation, and a superior achievement all the way around.<\/p>\n<p><em>Alborada del gracioso<\/em> (Ravel); <em>Children\u2019s Corner<\/em> (Debussy); <em>Clair de lune<\/em> (Debussy); <em>Valses nobles et sentimentales<\/em> (Ravel); <em>La plus que lente<\/em> (Debussy); <em>Deux arabesques<\/em> (Debussy)<\/p>\n<p>The CD can be purchased through <a href=\"http:\/\/amzn.to\/2fzfpIh\" target=\"_blank\" rel=\"noopener\">Amazon<\/a>, sampled and bought through <a href=\"https:\/\/itunes.apple.com\/us\/album\/ravel-debussy-music-for-2\/id1145576887\" target=\"_blank\" rel=\"noopener\">iTunes\/Apple Music<\/a>, listened to on <a href=\"https:\/\/open.spotify.com\/album\/3e4f3SZExnQ2lpGEBttKfZ\" target=\"_blank\" rel=\"noopener\">Spotify<\/a> and bought through <a href=\"http:\/\/www.naxos.com\/catalogue\/item.asp?item_code=8.573286\" target=\"_blank\" rel=\"noopener\">Naxos<\/a>.<\/p>\n<p><em>Below is a fun\/cool conceptual video (sans actual depiction of the duo or a guitar) of ChromaDuo&#8217;s version of the first movement of Ravel&#8217;s <\/em>Valses nobles et sentimentales<em>, titled\u00a0\u201cMod\u00e9r\u00e9 tr\u00e8s franc,\u201d written for solo piano in 1911.<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/NpSitZxoFVc\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-5946\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/zanon.jpg?resize=225%2C225\" alt=\"zanon\" width=\"225\" height=\"225\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/zanon.jpg?w=225&amp;ssl=1 225w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/zanon.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/01\/zanon.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><br \/>\n<em><strong>The Romantic Guitar<\/strong><\/em><br \/>\n<strong>Fabio Zanon<\/strong><br \/>\n(GuitarCoop)<\/p>\n<p>One of the best performances I heard at last year&#8217;s GFA in Denver was Fabio Zanon&#8217;s electrifying rendition of the<em>\u00a0Grande Polonaise <\/em>by the semi-obscure Polish composer Jan Nepomucen Bobrowicz. It was stunning! Now, that\u00a0piece (a world premiere recording) and seven other pieces from the Romantic era are presented in this superbly played and recorded collection from the spellbinding Brazilian guitar. Add in pieces by great guitar composers Napol\u00e9on Coste and J.K. Mertz, and mainstream Romantic giants Mendelssohn, Schumann, and Liszt, and you&#8217;ve got a sensational lineup of works of varying moods which Zanon delivers about as perfectly as anyone could hope for.<\/p>\n<p><em>La Source du Lyson, Op.47<\/em> (Coste); <em>Adieu!\/Nach Osten<\/em> (von Weyrauch); <em>Introduction et Caprice, Op. 23<\/em> (Regondi), <em>2 Lieder ohne W\u00f6rte<\/em> (Mendelssohn); <em>Bardenkl\u00e4nge, Op. 13,\u00a0Lied ohne W\u00f6rte<\/em> (Mertz); <em>Kindersonate, Op. 118A<\/em> (Schumann); <em>Grande Polonaise, Op. 24<\/em> (Bobrowicz); <em>Andantino, S. 192, Nuage Gris<\/em> (Liszt)<\/p>\n<p>Purchase through the <a href=\"http:\/\/www.guitarcoop.com.br\/en\/downloads\/download-romantic-guitar-fabio-zanon\/\" target=\"_blank\" rel=\"noopener\">GuitarCoop website<\/a> or <a href=\"https:\/\/www.guitarsalon.com\/store\/p5256-fabio-zanon-the-romantic-guitar.html\" target=\"_blank\" rel=\"noopener\">Guitar Salon International <\/a>or<\/p>\n<p><em>Prepare to be blown away! Here is Zanon playing Bobrowicz&#8217;s <\/em>Grande Polonaise<em>:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/3cuj-EPDZKo\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-6341\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/03\/smits.jpg?resize=332%2C300\" alt=\"\" width=\"332\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/03\/smits.jpg?w=332&amp;ssl=1 332w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/03\/smits.jpg?resize=300%2C271&amp;ssl=1 300w\" sizes=\"(max-width: 332px) 100vw, 332px\" \/><br \/>\n<strong><em>Guitar Recital<br \/>\n<\/em><\/strong><strong>Raphaella Smits<br \/>\n<\/strong>Soundset Recordings<\/p>\n<p>When I finally saw Raphaella Smits perform at GFA in the summer of 2016, her skill and passion were very much on display throughout her program, so I should not be surprised \u00a0that this latest recorded offering is also a rich and deeply felt &#8220;recital.&#8221; Just three composers are represented: Manuel Maria Ponce (four of the five movements of his gorgeous homage to Weiss, written for Segovia, with its deep, affecting &#8220;Sarabande&#8221; and spry, memorable &#8220;Gigue&#8221;); Barrios\u00a0(two preludes and the beautifully wistful\u00a0<em>Leyenda Guarani<\/em>); and Mompou (his tonally variegated 1962 <em>Suite Compostelana<\/em>, which seems to be quite popular among players these days). Everything about this project is completely top-notch; the recording of the late luthier John Gilbert&#8217;s 1980 8-string guitar is spectacular!<\/p>\n<p><em>Suite en la meno: Homage to S.L. Weiss<\/em> (Ponce); <em>Preludio en la menor<\/em>, <em>Preludio en do menor<\/em>, <em>Leyenda Guarani<\/em> (all by Barrios); <em>Suite Compostelana<\/em> (Mompou)<\/p>\n<p>Purchase through <a href=\"https:\/\/www.soundset.com\/album\/SR1084\/?sort=&amp;asc_desc=DESC&amp;resultpage=\" target=\"_blank\" rel=\"noopener\">Soundset,<\/a> <a href=\"https:\/\/www.stringsbymail.com\/raphaella-smits-guitar-recital-cd-17357.html\" target=\"_blank\" rel=\"noopener\">Strings By Mail<\/a>, or (listen and buy) through <a href=\"https:\/\/itunes.apple.com\/us\/album\/raphaella-smits-guitar-recital\/1204987473\" target=\"_blank\" rel=\"noopener\">iTunes\/Apple Music<\/a>. All tracks can be heard on <a href=\"https:\/\/open.spotify.com\/album\/3pseLF9WjX3aPw6Jcz527z\" target=\"_blank\" rel=\"noopener\">Spotify <\/a>and <a href=\"https:\/\/www.youtube.com\/watch?v=paBeia5g2EY&amp;list=PLfzZaAaZJx1S65-wat2pnl_F0E7MQS2MM\" target=\"_blank\" rel=\"noopener\">YouTube<\/a>.<\/p>\n<p><em>Here&#8217;s a recent video of Smits playing Barrios&#8217;\u00a0<\/em>Leyenda Guarani<em>:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/bRNkHroIqdE?ecver=1\" width=\"790\" height=\"444\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-full wp-image-6449\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/03\/ozan.jpg?resize=218%2C218\" alt=\"\" width=\"218\" height=\"218\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/03\/ozan.jpg?w=218&amp;ssl=1 218w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/03\/ozan.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/03\/ozan.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 218px) 100vw, 218px\" \/><br \/>\n<em><strong>Sonidos de Paisajes: Music of Spain<\/strong><\/em><br \/>\n<strong>Ozan Saritepe<br \/>\n<\/strong>ozansaritepe.com<\/p>\n<p>As you might expect from a guitarist&#8217;s album featuring &#8220;Music of Spain,&#8221; this superb Turkish player has included pieces by most of the &#8220;big&#8221; names: Alb\u00e9niz,\u00a0T\u00e1rrega, Falla, Torroba, et al, and even a few of the most-played numbers, such as \u00a0<em>Asturias<\/em>, <em>Lagrima,<\/em> and <em>La vida Breve. <\/em>But to his credit, Saritepe makes interesting choices with two of those three &#8220;war-horses,&#8221; supplementing <em>Asturias<\/em> with percussive cajon and <em>compas<\/em>\u00a0(handclaps) during the main repeated motif (I&#8217;m not sure a short cajon solo was necessary in the middle), and playing the more flamenco-style arrangement of <em>La vida Breve<\/em> favored by Paco de Luc\u00eda. All his other selections are outstanding, and include several that are far from common, such as T\u00e1rrega&#8217;s gorgeous <em>Adelita<\/em>, Llobet&#8217;s <em>Mazurka por Federico Buifaletti<\/em>, Torroba&#8217;s <em>Sonata-Fantasia<\/em> and Mompou&#8217;s <em>Cancion No. 6<\/em>. Saritepe has sequenced the disc beautifully, mixing the styles and tempos from track to track so that each selection feels fresh when it arrives and no single mood overstays its welcome. A lovely surprise.<\/p>\n<p><em>Asturias<\/em>, <em>Capricho Catalan<\/em>, <em>Torre Bermeja<\/em> (all by Alb\u00e9niz); <em>Lagrima<\/em>, <em>Sue\u00f1o<\/em>, <em>Adelita<\/em>, <em>Maria<\/em>, <em>Rosita<\/em> (all by T\u00e1rrega); <em>Mazurka por Federico Bufaletti<\/em> (Llobet); <em>La vida Breve<\/em> (Falla); <em>Cancion y Danza No. 1<\/em> (Pipo); <em>Sonata-Fantasia<\/em> (Torroba); <em>Cancion No. 6<\/em> (Mompou)<\/p>\n<p>You can hear some samples and order the CD through <a href=\"http:\/\/ozansaritepe.com\/cd\/\" target=\"_blank\" rel=\"noopener\">Saritepe&#8217;s website<\/a>, listen and purchase through<a href=\"https:\/\/itunes.apple.com\/us\/album\/sonidos-de-paisajes\/1207259300\" target=\"_blank\" rel=\"noopener\"> iTunes\/Apple Music<\/a>, or buy individual MP3s through <a href=\"http:\/\/amzn.to\/2n4xaj4\" target=\"_blank\" rel=\"noopener\">Amazon<\/a>.<\/p>\n<p>And here&#8217;s a new video of Saritepe playing\u00a0T\u00e1rrega&#8217;s\u00a0<em>Adelita:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/lNO6vFcddRg?ecver=1\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-6790\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/05\/KaiserSchmidt-300x253.jpg?resize=300%2C253\" alt=\"\" width=\"300\" height=\"253\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/05\/KaiserSchmidt.jpg?resize=300%2C253&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/05\/KaiserSchmidt.jpg?resize=768%2C648&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/05\/KaiserSchmidt.jpg?w=864&amp;ssl=1 864w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Kaiser Schmidt Guitar Duo<\/strong><\/em><br \/>\n<strong>Kaiser Schmidt Guitar Duo<\/strong><br \/>\nAureaVox<\/p>\n<p>The young German duo of <a href=\"http:\/\/kaiserschmidt.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Jessica Kaiser and Jakob Schmidt<\/a> have been performing together for a decade already, but this is their first CD release\u2014and it&#8217;s a winner! The nearly hour-long disc contains just four quite diverse multi-part pieces: two from the late 19th century (by Enrique Granados and Gabriel Faur\u00e9), and two from the late 20th century (by Astor Piazzolla and Du\u0161an Bogdanovic); all but the Bogdanovic were originally piano pieces. The playing is superb throughout, the strong communication between the players clearly evident. I&#8217;m a sucker for the intoxicating Romantic melodicism of <em>Valses Poeticos<\/em> (played in full here) and Faure&#8217;s wonderful six-part <em>Dolly Suite;<\/em>\u00a0those sandwich the lively and always appealing <em>Tango Suite. <\/em>The Bogdanovic\u00a0<em>Sonata Fantasia<\/em>\u00a0(originally dedicated to the Assad Brothers) is more obviously &#8220;modern&#8221;\u00a0in its sensibilities, but makes for a bracing conclusion to a fine program. The recording by Hans-Werner Huppertz is excellent, as well.<\/p>\n<p><em>Valses Poeticos<\/em> (Granados); <em>Tango Suite<\/em> (Piazzolla); <em>Dolly Suite<\/em> (Faur\u00e9); <em>Sonata Fantasia<\/em> (Bogdanovi\u0107)<\/p>\n<p>So far we&#8217;ve only been able to find the CD for sale through the duo&#8217;s <a href=\"http:\/\/kaiserschmidt.com\/cd\/\" target=\"_blank\" rel=\"noopener noreferrer\">website<\/a>; we&#8217;ll update when we know more.<\/p>\n<p><em>Below, the Kaiser Schmidt Guitar Duo play &#8220;Berceuse&#8221; from\u00a0Faur\u00e9&#8217;s<\/em> Dolly Suite<em>:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/bgmN__KNRzs?ecver=1\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-6907\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/05\/nazareth-300x273.jpg?resize=300%2C273\" alt=\"\" width=\"300\" height=\"273\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/05\/nazareth.jpg?resize=300%2C273&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/05\/nazareth.jpg?w=650&amp;ssl=1 650w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<strong><em>Celestial: the Music of Ernesto Nazareth<br \/>\n<\/em><\/strong><strong>Marc Teicholz<br \/>\n<\/strong>Doberman-Yppan<\/p>\n<p>The popular and influential Brazilian composer <a href=\"https:\/\/en.wikipedia.org\/wiki\/Ernesto_Nazareth\" target=\"_blank\" rel=\"noopener noreferrer\">Ernesto Nazareth<\/a> (1863\u20131934) wrote on piano, but many of his pieces have been successfully adapted to guitar in modern times\u2014here, we&#8217;re treated to 16 pieces lovingly arranged by contemporary Brazilian guitarist\/composer\u00a0<a href=\"https:\/\/assadbrothers.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">S\u00e9rgio Assad<\/a> (who graces the cover of the Summer 2017 issue of <a href=\"https:\/\/store.elizabethl27.sg-host.com\/collections\/back-issues-1\/products\/no-386-summer-2017\"><em>Classical Guitar<\/em><\/a>) and gracefully played by <a href=\"http:\/\/marcteicholz.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Marc Teicholz<\/a>, who currently teaches at both the San Francisco Conservatory of Music and Cal State East Bay. In his notes for the album, Assad notes that Nazareth was influenced both by rhythmic street choro bands and other native Brazilian performers, as well as classical musicians such as Chopin. You can hear strains of many different styles in this lively selection of tunes, from choros to tangos to waltzes, bits of ragtime, ballads; many pieces feature of mix of tempos (such as the exquisite title track). Teicholz&#8217;s sure and tremendously appealing interpretations of Assad&#8217;s arrangements truly show off Nazareth&#8217;s gifts as a composer to the fullest. Highly recommended! Besides this exceptional recording, Les Productions d&#8217;Oz\/Doberman-Yppan is also offering a <a href=\"https:\/\/www.productionsdoz.com\/en\/catalog\/sheet-music-for-guitar-en\/solo-guitar-en\/the-music-of-ernesto-nazareth-16-pieces-en\/\" target=\"_blank\" rel=\"noopener noreferrer\">68-page book<\/a>\u00a0containing Assad&#8217;s arrangements for all 16 pieces, aimed at advanced players.<\/p>\n<p><em>Brejeiro<\/em>; <em>Eponina<\/em>; <em>Serambeque<\/em>; <em>Turbilhao de Beijos<\/em>; <em>Ensimesmado<\/em>; <em>Tango Habanera<\/em>; <em>Mandinga<\/em>; <em>Celestial<\/em>; <em>Feti<\/em><em>\u00e7o<\/em>; <em>Confidencias<\/em>; <em>Batuque<\/em>; <em>Expansiva<\/em>; <em>Pinguim<\/em>; <em>Tenebroso<\/em>; <em>Escorregando<\/em>; <em>Elegantissima<\/em><\/p>\n<p>You can sample and order the album <a href=\"https:\/\/www.productionsdoz.com\/en\/catalog\/other-products-en\/cds-and-dvds-en\/celestial-the-music-of-ernesto-nazareth-en\/?v=7516fd43adaa\" target=\"_blank\" rel=\"noopener noreferrer\">here<\/a>; it&#8217;s also\u00a0available through <a href=\"https:\/\/itunes.apple.com\/us\/album\/celestial-the-music-of-ernesto-nazareth\/1170166913\" target=\"_blank\" rel=\"noopener\">iTunes\/Apple Music<\/a>, <a href=\"https:\/\/www.amazon.com\/Celestial-Ernesto-Nazareth-Marc-Teicholz\/dp\/B01M5GUJXX\" target=\"_blank\" rel=\"noopener\">Amazon<\/a>, and <a href=\"https:\/\/www.stringsbymail.com\/marc-teicholz-celestial-the-music-of-ernesto-nazareth-cd-17167.html\" target=\"_blank\" rel=\"noopener\">Strings By Mail.<\/a><\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/ylvnRPc4fYY?ecver=1\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-7565\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/08\/brasil-guitar-duo-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/08\/brasil-guitar-duo.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/08\/brasil-guitar-duo.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/08\/brasil-guitar-duo.jpg?resize=768%2C768&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/08\/brasil-guitar-duo.jpg?resize=1024%2C1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/08\/brasil-guitar-duo.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/08\/brasil-guitar-duo.jpg?w=1400&amp;ssl=1 1400w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Ghosting<\/strong><\/em><br \/>\n<strong>Brasil Guitar Duo<\/strong><br \/>\nCAG (Concert Artists Guild)<\/p>\n<p>This superb CD opens with a pair of wonderful Baroque keyboard pieces by Jean-Philippe Rameau (1683\u20131764), arranged for two guitars by BGD member Jo\u00e3o Luiz. The duo&#8217;s timing is absolutely impeccable; everything is as clean and confidently rendered as can be. From there, the rest of the album is by modern, living composers (with the exception of Heitor Villa-Lobos, whose rather dark &#8220;Prelude&#8221; for <em>Bachianas Brasileiras No. 4.<\/em> appears). Gerard Drozd, who has written for the duo in the past, contributes a new piece for them, the seven-part <em>Suite Op. 142<\/em>, which \u00a0is, the composer says, &#8220;a kind of music that can describe different moods, places, human characters, etc. There is no need to describe each movement separately. I leave it to listeners of the CD \u00a0and believe in their inner or innate sensitivity and imagination.&#8221; Some of the Rameau\/Baroque vibe returns in BGD member Douglas Lora&#8217;s <em>Valsa<\/em>; that&#8217;s followed quickly by Luiz&#8217;s <em>Djavan&#8217;s Portrait<\/em>, based on a theme by contemporary Brazilian songwriter\/guitarist Djavan Caetano Viana, whom Luiz cites as an early influence. The title track by David Leisner (again, written for the duo, in 2014) is another fascinating piece that goes many rewarding places, from its slow, minimalist beginning of harmonic pings, to more accelerated passages, and a quiet ending that drops off in a return to harmonics. Then, Marco Pereira&#8217;s <em>Bate-Coxa<\/em> is a perfect uptempo Brazilian romp to bring the disc to its conclusion.<\/p>\n<p><em>Pi\u00e8ces de Clavecin: Les Cyclopes, Gavette avec 6 Doubles<\/em> (Rameau, arr. Luiz); <em>Suite Op. 142<\/em> (Drozd); <em>Bachianas Brasileiras No. 4,<\/em>\u00a0<em>&#8220;Preludio&#8221;<\/em> (Villa-Lobos, arr. Luiz); <em>Posludio<\/em> (Lora); <em>Valsa<\/em> (Lora); <em>Djavan&#8217;s Portrait<\/em> (Luiz);<em> 7 An\u00e9is<\/em> (Gismonti, arr. Luiz); <em>Ghosting<\/em> (Leisner); <em>Bate-Coxa<\/em> (Pereira)<\/p>\n<p>The album can be previewed and purchased through <a href=\"https:\/\/store.cdbaby.com\/cd\/brasilguitarduo2\" target=\"_blank\" rel=\"noopener\">CDBaby<\/a>, <a href=\"https:\/\/www.amazon.com\/Ghosting-Brasil-Guitar-Duo\/dp\/B073MBLPJ6\" target=\"_blank\" rel=\"noopener\">Amazon<\/a>, and <a href=\"https:\/\/store.cdbaby.com\/cd\/brasilguitarduo2\" target=\"_blank\" rel=\"noopener\">iTunes<\/a>, and streamed on <a href=\"https:\/\/open.spotify.com\/album\/27qCdc2YoCCHC4ToCN8Iqh\" target=\"_blank\" rel=\"noopener\">Spotify<\/a> and <a href=\"https:\/\/itunes.apple.com\/us\/album\/ghosting\/1253575897\" target=\"_blank\" rel=\"noopener\">iTunes\/Apple Music<\/a>.<\/p>\n<p><em>Below, the duo plays a version of Douglas Lora&#8217;s <\/em>Posludio<em> a few years ago. That&#8217;s him on the right. \u00a0<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/HKpn3R4wsIo?ecver=1\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-8563\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/verdi-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/verdi.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/verdi.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/verdi.jpg?resize=125%2C125&amp;ssl=1 125w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/verdi.jpg?w=396&amp;ssl=1 396w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Verdi\u2019s Guitar<\/strong><\/em><br \/>\n<strong>Alan Rinehart<\/strong><br \/>\nRavello<\/p>\n<p>The fine Canadian guitarist Alan Rinehart, who has put out five CDs on his own and was previously associated with the Vancouver Guitar Quartet, presents six medleys\/fantasies drawn from mid-19th century operas written by Giuseppe Verdi (1813\u20131901) and arranged for guitar by a Verdi contemporary, J.K. Mertz (1806\u20131856). As noted in Ravello Records\u2019 description, \u201cThe six Verdi fantasies are taken from a larger Mertz collection of 34 similar pieces based on operas, called <em>Opern-revue, Op. 8<\/em>. These \u2018revues\u2019 were not unlike works for piano by composers such as Liszt, which were arrangements of or fantasies on popular operatic arias. Both these and Mertz\u2019s revues responded to the popular demand of the opera \u2018experience\u2019 adapted for a small, private setting. Mertz\u2019s revues are more ambitious, however\u2014they adapt not just a single aria, but the entire opera, compressing a large scale, two- to three-hour production into a 10\u201315 minute piece medley for solo guitar.\u201d The results are spectacular! I was so impressed by the seamlessness of Mertz&#8217;s medleys\u2014the tasteful juxtaposition of sweeping themes, arias, and assorted waltz and other &#8220;dance&#8221; segments. I never felt &#8220;cheated&#8221; by the relative brevity of each section, and the transitions all felt natural and not at all abrupt. Each piece seems like its own self-contained musical universe, with its own character, flow, drama and excitement. And as a <em>guitar<\/em> album, it covers an amazing amount of stylistic ground and demands much of the guitarist. Rinehart&#8217;s playing is crisp, confident, and passionate.<\/p>\n<p><em>Nabucco<\/em>; <em>Ernani<\/em>; <em>Rigoletto<\/em>; <em>Il Trovatore<\/em>; <em>La Traviata<\/em>; <em>Il Vesperi Siciliani<\/em><\/p>\n<p>The album can be streamed and purchased through <a href=\"http:\/\/amzn.to\/2j3r05p\" target=\"_blank\" rel=\"noopener\">Amazon<\/a>, and\u00a0<a href=\"https:\/\/itunes.apple.com\/us\/album\/verdis-guitar\/1277971438\" target=\"_blank\" rel=\"noopener\">iTunes\/AppleMusic;<\/a>\u00a0and streamed on <a href=\"https:\/\/open.spotify.com\/album\/185rG2ev1wmIbzZaqKkJrw\" target=\"_blank\" rel=\"noopener\">Spotify<\/a>.<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/5_Lj8wnoIQ0\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-8608\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/candicemowbray-300x300.jpg?resize=300%2C300\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/candicemowbray.jpg?resize=300%2C300&amp;ssl=1 300w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/candicemowbray.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/candicemowbray.jpg?w=600&amp;ssl=1 600w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/candicemowbray.jpg?resize=125%2C125&amp;ssl=1 125w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><br \/>\n<em><strong>Reverie<\/strong><\/em><br \/>\n<strong>Candice Mowbray<\/strong><br \/>\ncandicemowbray.com<\/p>\n<p>What a revelation this album is! All but two of the album&#8217;s 18 pieces are by French composers: Dutchman Peter van der Staak is one outlier, though his piece is called &#8220;Bellefleur: Valse fran\u00e7aise&#8221;; the other is Alexandre Lagoya, of Greek-Italian heritage but famously the husband and guitar-duo partner of French legend Ida Presti. But let&#8217;s not get too hung up on national identity because, for example, the opening <em>Vals for Atom<\/em>, by modern French composer Laurent Boutros, has apparent musical roots in Near-Eastern music (Turkish? Armenian?), and one might say the same for Erik Satie&#8217;s <em>Gnossienne, No. 1<\/em>, here in Roland Dyens&#8217; arrangement. Mowbray neatly pairs that with her own arrangement of Satie&#8217;s much-played <em>Gymnop\u00e9die<\/em>. The album&#8217;s program has an artful and intelligent flow. The aforementioned &#8220;Bellefleur&#8221; was dedicated by van der Staak to contemporary French guitarist\/composer Arnaud Dumond, and is followed on the album by Dumond&#8217;s five disparate <em>Hommages\u00a0fran\u00e7ais<\/em> (nods to Couperin, Poulenc, Milhaud, Debussy, and Ravel. Then we have Poulenc&#8217;s sadly beautiful <em>Sarabande pour guitare<\/em>, dedicated to Ida Presti; followed by three from Presti herself, including the Baroque-sounding\u00a0<em>\u00c9tude du matin <\/em>and<em>\u00a0<\/em>the lively and infectious\u00a0<em>Danse rythmique\u2014<\/em>the latter dedicated to her husband Lagoya, who is the composer of the lovely next piece on the album, <em>Reverie<\/em>, which he wrote for Presti in 1959. Edith Piaf and Luis Guglielmi&#8217;s <em>La vie en rose<\/em> may be the most famous French song there is, but the gorgeous version here still sounds fresh and sparkling. And the disc closes with pop singer Claude Nougaro&#8217;s frothy 1962 hit, <em>Le jazz et la java<\/em>, arranged by another fine modern French composer, Thierry Tisserand. The playing throughout by the Maryland-based guitarist is splendid!<\/p>\n<p><em>Vals for Atom<\/em> (Boutros), <em>Chanson Trilce<\/em>\u00a0(Boutros); <em>Les\u00a0\u00c9chelles du Levant<\/em>\u00a0(Boutros); <em>Gnossienne No. 1<\/em> (Satie, arr. Dyens); <em>Gymnop\u00e9die<\/em> (Satie, arr. Mowbray); <em>Bellefleur: Valse fran\u00e7aise<\/em> (van der Staak); <em>Cinq hommages\u00a0fran\u00e7ais: Couperin, Poulenc, Milhaud, Debussy, Ravel<\/em> (Dumond); <em>Sarabande pour guitare<\/em> (Poulenc);\u00a0<em>\u00c9tude du matin<\/em> (Presti);\u00a0<em>\u00c9tude No. 2<\/em> (Presti); <em>Danse rythmique<\/em> (Presti); <em>R\u00e9verie<\/em> (Lagoya); <em>La Vie en Rose<\/em> (Piaf and Guglielmi, arr. Raymond); <em>Le jazz et la java<\/em> (Nougaro, arr. Tisserand)<\/p>\n<p>The album can be bought on CD through Mowbray&#8217;s <a href=\"https:\/\/www.candicemowbray.com\/shop\" target=\"_blank\" rel=\"noopener\">wesbite<\/a>, previewed and purchased through <a href=\"https:\/\/store.cdbaby.com\/cd\/candicemowbray1\" target=\"_blank\" rel=\"noopener\">CDBaby<\/a>, streamed and\/or purchased via <a href=\"https:\/\/itunes.apple.com\/us\/album\/reverie\/id1231622306\" target=\"_blank\" rel=\"noopener\">iTunes\/Apple Music<\/a>, and streamed on <a href=\"https:\/\/open.spotify.com\/album\/45dyu3xL3HOiq7mpNiSViK\" target=\"_blank\" rel=\"noopener\">Spotify.<\/a><\/p>\n<p><em>Below, Mowbray plays Ida Presti&#8217;s<\/em>\u00a0Danse rythmique<em>:<br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/2L6Gkg0dPro\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve sure listened to a lot of fantastic classical guitar albums in the past year! Herewith, ten of my favorites that I wrote about in this space from November 2016 to the beginning of December 2017; 112 in all. So it&#8217;s not technically a list of 2017 releases; several came out in 2016. A few of the descriptions have been shortened for this list. Feel free to tell us your own favorites from the past year-plus!\u00a0\u2014Blair Jackson Edges of Thought [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":8765,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-8745","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-watch"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/kaiser-schmidt-guitar-duo.jpg?fit=1800%2C1200&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8745","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=8745"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8745\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/8765"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=8745"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=8745"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=8745"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}