{"id":8788,"date":"2017-12-31T10:00:46","date_gmt":"2017-12-31T18:00:46","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=8788"},"modified":"2017-12-28T15:50:54","modified_gmt":"2017-12-28T23:50:54","slug":"happy-new-year-emre-sabuncuoglu-plays-auld-lang-syne","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/happy-new-year-emre-sabuncuoglu-plays-auld-lang-syne\/","title":{"rendered":"Happy New Year!! Emre Sabuncuoglu Plays &#8216;Auld Lang Syne&#8217;"},"content":{"rendered":"<p>In the U.S., the UK, and some other places, as well, the old Scottish tune &#8216;Auld Lang Syne&#8217; has long been synonymous with New Year&#8217;s Eve. Here&#8217;s a lovely arrangement of that traditional song by Turkish guitarist (and Los Angeles Guitar Academy teacher) <a href=\"http:\/\/emresabuncuoglu.com\/\" target=\"_blank\" rel=\"noopener\">Emre Sabuncuoglu<\/a>.<\/p>\n<p>And here&#8217;s a toast to all of you lovers classical guitar music: May you all have a joyous year ahead, filled with love and wonder! Cheers! \u00a0\u2014Blair J. and all the folks at <em>Classical Guitar <\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the U.S., the UK, and some other places, as well, the old Scottish tune &#8216;Auld Lang Syne&#8217; has long been synonymous with New Year&#8217;s Eve. Here&#8217;s a lovely arrangement of that traditional song by Turkish guitarist (and Los Angeles Guitar Academy teacher) Emre Sabuncuoglu. And here&#8217;s a toast to all of you lovers classical guitar music: May you all have a joyous year ahead, filled with love and wonder! Cheers! \u00a0\u2014Blair J. and all the folks at Classical Guitar [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":8790,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-8788","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2017\/12\/Happy-New-Year-2018.jpg?fit=600%2C331&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8788","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=8788"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8788\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/8790"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=8788"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=8788"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=8788"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}