{"id":8820,"date":"2018-01-04T15:46:57","date_gmt":"2018-01-04T23:46:57","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=8820"},"modified":"2018-01-04T15:46:57","modified_gmt":"2018-01-04T23:46:57","slug":"recent-sheet-music-releases-haydn-for-guitar-and-flute-turlough-ocarolan-and-stephen-goss-at-the-movies","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/recent-sheet-music-releases-haydn-for-guitar-and-flute-turlough-ocarolan-and-stephen-goss-at-the-movies\/","title":{"rendered":"Recent Sheet Music Releases: Haydn for guitar and flute, Turlough O&#8217;Carolan, and Stephen Goss at the Movies"},"content":{"rendered":"<p>We get so much sheet music sent to us by various publishers year \u2019round\u2014literally hundreds of pieces in every setting imaginable (solo guitar, multiple guitars, guitar-flute, guitar-harp, etc.)\u2014but we don\u2019t have the space to write about the great majority of them in our four quarterly issues each year.<\/p>\n<p>So, just as we occasionally write about classical-guitar album releases regularly in this online space, we also occasionally announce recent print music releases. As with the CDs, these are not reviews per se (some\u00a0<em>will<\/em>\u00a0be reviewed in the magazine, but frankly most will not), but we think it\u2019s important to at least get the word out about what\u2019s being offered to guitarists out there. Where possible, we\u2019ve linked the titles to the publisher\u2019s website or some other outlet where it can be purchased, and stated the degree of difficulty (if provided by the publisher or it\u2019s obvious).\u00a0\u00a0<em>\u2014Blair Jackson\u00a0<\/em><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-8821\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/Haydn-sonata-232x300.jpg?resize=232%2C300\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/Haydn-sonata.jpg?resize=232%2C300&amp;ssl=1 232w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/Haydn-sonata.jpg?resize=768%2C995&amp;ssl=1 768w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/Haydn-sonata.jpg?resize=790%2C1024&amp;ssl=1 790w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/Haydn-sonata.jpg?w=2340&amp;ssl=1 2340w\" sizes=\"(max-width: 232px) 100vw, 232px\" \/><br \/>\n<strong>Joseph Haydn<\/strong><br \/>\n<a href=\"https:\/\/www.prestoclassical.co.uk\/sheet-music\/works\/6839--haydn-piano-sonata-no-50-in-d-major-hob-xvi-37\/browse?instrument=490&amp;size=40&amp;view=large\" target=\"_blank\" rel=\"noopener\"><strong>Sonata in D major<\/strong>\u00a0<strong>Hob. XVI: 37<\/strong> (for flute and guitar)<\/a><br \/>\nDoblinger, 16 pp., combined parts plus flute part<\/p>\n<p>This is the most recent published arrangement by Hungary&#8217;s\u00a0<a href=\"http:\/\/classicalfluteandguitar.com\/\">Classical Flute and Guitar Project<\/a>\u2014flautist No\u00e9mi Gy\u0151ri and guitarist Katalin Koltai\u2014and like their take on Mozart&#8217;s<strong>\u00a0<\/strong><a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-by-mozart-maximo-diego-pujol-salvatore-seminara-and-michel-dalle-ave\/\"><em>Fantasy in D minor KV 397<\/em><\/a>, it is wonderful and spirited pieces that is sure to challenge and delight duos who take it on. As\u00a0Gy\u0151ri writes in the accompanying notes, the piece &#8220;was composed in\u00a0 1780 for the notable pianist sisters Caterina and Marianna van Auenbrugger. With it flawless virtuosity and and myriad humorous moments, the D major Sonata is among the most spectacular, and [also] one of the most popular keyboard works.&#8221; Indeed, it&#8217;s &#8220;Allegro con brio,&#8221; played below, is rightly famous. The arrangement provides many opportunities for each instrument, and the combination here is positively intoxicating! Advanced.<\/p>\n<p><iframe src=\"https:\/\/www.youtube.com\/embed\/Gq3Qv3B3GAI\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-8824\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/ocarolan-224x300.jpg?resize=224%2C300\" alt=\"\" width=\"224\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/ocarolan.jpg?resize=224%2C300&amp;ssl=1 224w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/ocarolan.jpg?w=225&amp;ssl=1 225w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><br \/>\n<strong>Turlough O&#8217;Carolan<\/strong><br \/>\n<a href=\"https:\/\/www.melbay.com\/Products\/30623\/ocarolan-favorites-for-classical-guitar.aspx\" target=\"_blank\" rel=\"noopener\"><em><strong>O&#8217;Carolan Favorites for Classical Guitar\u00a0<\/strong><\/em><\/a><em><strong>(arr. Guido B\u00f6ger)<\/strong><\/em><br \/>\nMel Bay, 100 pp<\/p>\n<p>Short, wonderfully melodic pieces written by blind Irish harpist and composer\u00a0Turlough O&#8217;Carolan (1670\u20131839) seem to be turning up increasingly in classical guitar programs, thanks in part to folks like German guitarist\/arranger Guido\u00a0B\u00f6ger, who follows up his\u00a0<i>Turlough O\u2019Carolan Irish Harp Pieces for Classical Guitar <\/i>collection with 72 more, most of them a page or less and at an intermediate level. If you know O&#8217;Carolan&#8217;s oeuvre at all, you know that nearly all of the pieces are named for different people\u2014<em>Sir Festus Burke<\/em>, <em>Mrs. Keel<\/em>, <em>Miss MacMurray<\/em>, <em>Lord Inchiquin<\/em>, etc. &#8220;Throughout the arrangements,&#8221;\u00a0B\u00f6ger writes, I have sought to capture the unique substance and respective character of each of the tunes, with the goal of enhancing their beauty through the integration of complementary counter-voices and harmonies.&#8221;<\/p>\n<p><em>We couldn&#8217;t find any video (or audio) that relates specifically to the book, but here&#8217;s an arrangement (<\/em>not<em>\u00a0B\u00f6ger&#8217;s, we must stress), of the aforementioned <\/em>Lord Inchiquin<em>, to at least give some sense of O&#8217;Carolan&#8217;s music. This arrangement is by Dutch guitarist Bouke Feleus:<\/em><br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/EeKpLYnfQDU\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" class=\"alignnone size-medium wp-image-8826\" src=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/goss-225x300.jpg?resize=225%2C300\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/goss.jpg?resize=225%2C300&amp;ssl=1 225w, https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/goss.jpg?w=500&amp;ssl=1 500w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><br \/>\n<strong>Stephen Goss<\/strong><br \/>\n<em><a href=\"https:\/\/www.productionsdoz.com\/en\/catalog\/sheet-music-for-guitar-en\/solo-guitar-en\/cinema-paradiso\/\" target=\"_blank\" rel=\"noopener\">Cinema Paradiso<\/a><\/em><br \/>\nDoberman-Yppan, 20 pp.<\/p>\n<p>You can always count on Steve Goss to come up with something interesting and provocative. He calls this set of pieces &#8220;music about films.\u00a0Each of the six short movements pays homage to a director or genre.'&#8221; Goss drew his inspiration from specific scenes (as in the Chaplin film <em>Modern Times<\/em>), from film soundtrack music (such as Ry Cooder&#8217;s haunting score for <em>Paris, Texas), <\/em>a director&#8217;s body of work (<em>Tarantino<\/em>), or an evocative style (<em>Noir)<\/em>. (Incidentally, the magical Italian film <em>Cinema Paradiso<\/em> has a wonderful score by Ennio Morricone, but it is not represented here except in the overall title of the book. That film, though, like this Goss work, was something of an homage to film itself.)<\/p>\n<p>And then there&#8217;s <em>451<\/em>, triggered by the excellent and disturbing 1966 Francois Truffaut film <em>Fahrenheit 451<\/em>. That film, Goss explains, is &#8220;set in a dystopian future\u2014reading is banned and all books are burned.\u00a0<em>451\u00a0<\/em>focuses on &#8216;the book people,&#8217; who live on the fringes of this society learning books by heart and teaching them to one another to keep the books alive. In keeping with this idea from the film, there is no written score for\u00a0<em>451<\/em>. Performers have to be taught the piece by someone else, or learn it from a recording or video\u2014the original score has been burned.&#8221; A gimmick? Absolutely! But you can get your start memorizing this moody and appealing Goss piece right here:<br \/>\n<iframe src=\"https:\/\/www.youtube.com\/embed\/TNdAahcoxh4\" width=\"780\" height=\"439\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Here are links to our previous sheet music listings, beginning in the fall of 2016:\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/new-sheet-music-releases-mark-houghton-lilly-afshar-frederic-hand-dusan-bogdanovic-and-more\/\">October 25<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-sergio-assad-atanas-ourkouzounov-niccolo-paganini-olivier-bensa-and-more\/\">November 8<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-print-music-from-mauro-giuliani-stephen-goss-joao-luiz-giorgio-signorile-and-more\/\">November 22<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-joaquin-rodrigo-raul-maldonado-laurent-meneret-ferdinando-carulli-and-others\/\" target=\"_blank\" rel=\"noopener noreferrer\">December 6<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-fernando-sor-frederic-hand-alban-berg-daniel-asia-and-others\/\" target=\"_blank\" rel=\"noopener noreferrer\">December 20<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-osvaldo-golijov-manuel-blasco-de-nabra-carlos-wernicke-and-more\/\" target=\"_blank\" rel=\"noopener noreferrer\">January 3, 2017<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-bach-faure-claudio-maccari-paul-coles-and-jean-michel-coquery-plus-manus-noble-on-tremolo\/\" target=\"_blank\" rel=\"noopener noreferrer\">January 17<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-jonathan-jackson-roddy-ellias-nejc-kuhar-joseph-v-williams-ii-and-more\/\" target=\"_blank\" rel=\"noopener noreferrer\">January 31<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-nick-fletcher-nicolas-guay-john-cage-and-luc-gueugneau\/\">February 14<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-by-mozart-maximo-diego-pujol-salvatore-seminara-and-michel-dalle-ave\/\" target=\"_blank\" rel=\"noopener noreferrer\">February 28<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-by-frederic-hand-david-leisner-francois-de-fossa-and-benoit-albert\/\" target=\"_blank\" rel=\"noopener noreferrer\">March 14<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-celil-refik-kaya-fernando-sor-via-barrueco-baroque-miniatures-lutenist-brian-wright\/\" target=\"_blank\" rel=\"noopener noreferrer\">March 28<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-christoph-gluck-john-dowland-cesare-augusto-grandi-and-siyoh-tomiyama\/\" target=\"_blank\" rel=\"noopener noreferrer\">April 11<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-anton-diabelli-marc-le-gars-and-javier-farias\/\" target=\"_blank\" rel=\"noopener noreferrer\">April 25<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-new-sheet-music-from-mario-castelnuovo-tedesco-yves-carlin-and-joseph-v-williams-ii\/\" target=\"_blank\" rel=\"noopener noreferrer\">May 9<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-mauro-godoy-villalobos-nejc-kuhar-and-paul-erik-soderkvist\/\" target=\"_blank\" rel=\"noopener noreferrer\">May 23<\/a>,\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-including-130-easy-preludes-plus-pieces-by-shostakovich-and-adam-cicchillitti\/\" target=\"_blank\" rel=\"noopener noreferrer\">June 6<\/a>, <a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-napoleon-coste-hagen-barz-and-yves-carlin\/\" target=\"_blank\" rel=\"noopener\">June 20,<\/a>\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-andrea-vezzoli-and-paolo-ugoletti-william-bay-and-siyoh-tomiyama\/\" target=\"_blank\" rel=\"noopener\">August 29<\/a>, <a href=\"http:\/\/classicalguitarmagazine.com\/recent-releases-tuesday-sheet-music-from-frederic-hand-atanas-ourkouzounov-and-mark-houghton\/\" target=\"_blank\" rel=\"noopener\">September 19,\u00a0<\/a>\u00a0<a href=\"http:\/\/classicalguitarmagazine.com\/sheet-music-offerings-from-kevin-callahan-damien-aribert-frederick-maggio-and-kenneth-meyers-diatonic-arpeggio-method\/\" target=\"_blank\" rel=\"noopener\">November 15<\/a>, <a href=\"http:\/\/classicalguitarmagazine.com\/four-big-fat-books-of-music-sight-reading-contemporary-guitar-composers-of-the-americas-baroque-guitar-easy-preludes\/\" target=\"_blank\" rel=\"noopener\">December 4<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We get so much sheet music sent to us by various publishers year \u2019round\u2014literally hundreds of pieces in every setting imaginable (solo guitar, multiple guitars, guitar-flute, guitar-harp, etc.)\u2014but we don\u2019t have the space to write about the great majority of them in our four quarterly issues each year. So, just as we occasionally write about classical-guitar album releases regularly in this online space, we also occasionally announce recent print music releases. As with the CDs, these are not reviews per [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":8831,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6],"tags":[],"class_list":["post-8820","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/fluteand-guitar-1.jpg?fit=1170%2C682&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=8820"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8820\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/8831"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=8820"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=8820"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=8820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}