{"id":8950,"date":"2018-01-21T11:16:08","date_gmt":"2018-01-21T19:16:08","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=8950"},"modified":"2018-01-26T17:02:04","modified_gmt":"2018-01-27T01:02:04","slug":"sunday-prodigy-1-nina-bernert-12-plays-david-kellners-phantasia-in-d-major","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/sunday-prodigy-1-nina-bernert-12-plays-david-kellners-phantasia-in-d-major\/","title":{"rendered":"Sunday Prodigy #1: Nina Bernert (12) Plays David Kellner&#8217;s &#8216;Phantasia in D major&#8217;"},"content":{"rendered":"<p>For the next couple of months, we&#8217;re going to devote our regular Sunday posting to talented young guitarists (current and past), just because it&#8217;s fun!<\/p>\n<p>German guitarist Nina Bernert is 13 currently, and was 12 when this video was shot in November 2016. David Kellner (1670\u20131748) was a German Baroque composer and a contemporary of J.S. Bach.\u00a0 Her younger sister Linda (10) is also a fantastic young player. Stefan Schmidt is the primary teacher for both.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the next couple of months, we&#8217;re going to devote our regular Sunday posting to talented young guitarists (current and past), just because it&#8217;s fun! German guitarist Nina Bernert is 13 currently, and was 12 when this video was shot in November 2016. David Kellner (1670\u20131748) was a German Baroque composer and a contemporary of J.S. Bach.\u00a0 Her younger sister Linda (10) is also a fantastic young player. Stefan Schmidt is the primary teacher for both.<\/p>\n","protected":false},"author":11,"featured_media":8951,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-8950","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/01\/nina.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8950","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=8950"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/8950\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/8951"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=8950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=8950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=8950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}