{"id":9032,"date":"2018-02-04T06:00:41","date_gmt":"2018-02-04T14:00:41","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=9032"},"modified":"2018-02-04T09:07:42","modified_gmt":"2018-02-04T17:07:42","slug":"sunday-prodigy-3-conor-padmanabhan-13-plays-roland-dyens-tango-en-skai","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/sunday-prodigy-3-conor-padmanabhan-13-plays-roland-dyens-tango-en-skai\/","title":{"rendered":"Sunday Prodigy #3: Conor Padmanabhan (13) Plays Roland Dyens&#8217; &#8216;Tango en Skai&#8217;"},"content":{"rendered":"<p>Our latest classical guitar wunderkind is 13-year-old Conor Padmanabhan of Palo Alto, California. Conor is a student of <a href=\"http:\/\/www.scottcmiel.com\" target=\"_blank\" rel=\"noopener\">Scott Cmiel<\/a> at the San Francisco Conservatory of Music Pre-College program. Here, he plays <a href=\"http:\/\/www.rolanddyens.com\/\" target=\"_blank\" rel=\"noopener\">Roland Dyens<\/a>&#8216; popular\u00a0<em>Tango en Skai<\/em>, a tricky piece that demands great rhythmic surety and finesse. The occasion for the performance was a concert at SFCM celebrating the 60th birthday of Guitar Department chairman David Tanenbaum.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Our latest classical guitar wunderkind is 13-year-old Conor Padmanabhan of Palo Alto, California. Conor is a student of Scott Cmiel at the San Francisco Conservatory of Music Pre-College program. Here, he plays Roland Dyens&#8216; popular\u00a0Tango en Skai, a tricky piece that demands great rhythmic surety and finesse. The occasion for the performance was a concert at SFCM celebrating the 60th birthday of Guitar Department chairman David Tanenbaum.<\/p>\n","protected":false},"author":11,"featured_media":9034,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-9032","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/02\/Conor-Padmanabhan.jpg?fit=854%2C497&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9032","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=9032"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9032\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/9034"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=9032"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=9032"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=9032"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}