{"id":9102,"date":"2018-02-09T14:07:45","date_gmt":"2018-02-09T22:07:45","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=9102"},"modified":"2018-02-09T21:13:10","modified_gmt":"2018-02-10T05:13:10","slug":"video-pick-of-the-week-alexandra-whittingham-plays-albenizs-capricho-catalan","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-alexandra-whittingham-plays-albenizs-capricho-catalan\/","title":{"rendered":"Video Pick of the Week: Alexandra Whittingham Plays Alb\u00e9niz&#8217;s &#8216;Capricho Catal\u00e1n&#8217;"},"content":{"rendered":"<p>Here&#8217;s another choice clip from the talented 20-year-old English guitarist Alexandra Whittingham\u2014a beautifully expressive version of Isaac\u00a0Alb\u00e9niz&#8217;s\u00a0<em>Capricho Catal\u00e1n<\/em>, originally written for piano in 1890 as the fifth movement of composer&#8217;s six-part <em>Suite Espa\u00f1a<\/em>. It has been become a &#8216;standard&#8217; in the classical guitar repertoire, recorded by everyone from Segovia (in 1975) to David Russell, Emanuele Segre, and Jason Vieaux, to name a few.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s another choice clip from the talented 20-year-old English guitarist Alexandra Whittingham\u2014a beautifully expressive version of Isaac\u00a0Alb\u00e9niz&#8217;s\u00a0Capricho Catal\u00e1n, originally written for piano in 1890 as the fifth movement of composer&#8217;s six-part Suite Espa\u00f1a. It has been become a &#8216;standard&#8217; in the classical guitar repertoire, recorded by everyone from Segovia (in 1975) to David Russell, Emanuele Segre, and Jason Vieaux, to name a few.<\/p>\n","protected":false},"author":11,"featured_media":9104,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-9102","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/02\/alexandra.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=9102"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9102\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/9104"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=9102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=9102"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=9102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}