{"id":9135,"date":"2018-02-16T12:07:25","date_gmt":"2018-02-16T20:07:25","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=9135"},"modified":"2018-02-16T16:25:11","modified_gmt":"2018-02-17T00:25:11","slug":"video-pick-of-the-week-artis-guitar-duo-play-rodrigos-tonadilla","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-artis-guitar-duo-play-rodrigos-tonadilla\/","title":{"rendered":"Video Pick of the Week: Artis Guitar Duo Play Rodrigo&#8217;s &#8216;Tonadilla&#8217;"},"content":{"rendered":"<p>Joaqu\u00edn Rodrigo&#8217;s sprawling and demanding two-guitar piece\u00a0<em>Tonadilla<\/em>\u00a0was first performed in 1959 in Lille, France, by the finest guitar duo of that era, the incomparable French couple Ida Presti and Alexandre Lagoya. John Williams &amp; Julian Bream and the Assad Brothers are among the other notable duos to play it subsequently. Those are a tough standards to live up to, but Germany&#8217;s<strong> <a href=\"http:\/\/artis-guitarduo.com\/index.htm\" target=\"_blank\" rel=\"noopener\">Artis Guitar Duo<\/a> <\/strong>(married couple Julia and Christian Zielinski, both 30) are one of the most dynamic guitar pairs in Europe today, and they handle the challenging Rodrigo work very nicely here.<\/p>\n<p>The duo each put out albums in 2016\u2014Julia&#8217;s is called <em><a href=\"http:\/\/artis-guitarduo.com\/cd-solo.htm\" target=\"_blank\" rel=\"noopener\">Solo<\/a><\/em>; Christian&#8217;s is <a href=\"http:\/\/artis-guitarduo.com\/cd-versus.htm\" target=\"_blank\" rel=\"noopener\">Versus<\/a>\u2014but they mostly play together; their most recent duo album, <a href=\"http:\/\/artis-guitarduo.com\/cd-portrait.htm\" target=\"_blank\" rel=\"noopener\">Portrait<\/a>, came out in 2013. In March they will be performing in China, and July will see them as one of the main acts at the <a href=\"http:\/\/www.gfmikulov.com\/en\/\" target=\"_blank\" rel=\"noopener\">32nd Guitar Festival Mikulov<\/a> in the beautiful Czech Republic region of Moravia.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Joaqu\u00edn Rodrigo&#8217;s sprawling and demanding two-guitar piece\u00a0Tonadilla\u00a0was first performed in 1959 in Lille, France, by the finest guitar duo of that era, the incomparable French couple Ida Presti and Alexandre Lagoya. John Williams &amp; Julian Bream and the Assad Brothers are among the other notable duos to play it subsequently. Those are a tough standards to live up to, but Germany&#8217;s Artis Guitar Duo (married couple Julia and Christian Zielinski, both 30) are one of the most dynamic guitar pairs [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":9136,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-9135","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/02\/artis-duo.jpg?fit=500%2C340&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9135","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=9135"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9135\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/9136"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=9135"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=9135"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=9135"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}