{"id":9348,"date":"2018-03-08T20:41:53","date_gmt":"2018-03-09T04:41:53","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=9348"},"modified":"2018-03-09T11:21:14","modified_gmt":"2018-03-09T19:21:14","slug":"video-pick-of-the-week-margarita-escarpa-plays-albenizs-rumores-de-la-caleta","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-margarita-escarpa-plays-albenizs-rumores-de-la-caleta\/","title":{"rendered":"Video Pick of the Week: Margarita Escarpa Plays Alb\u00e9niz&#8217;s &#8216;Rumores de la Caleta&#8217;"},"content":{"rendered":"<p>There is certainly no shortage of guitarists performing the piano works by Isaac Alb\u00e9niz to be found on YouTube,\u00a0 and the composer&#8217;s <em>Rumores de la Caleta<\/em> (aka <em>Malague\u00f1a<\/em> ) has been popular among guitarists since Miguel Llobet wrote his transcription for two guitars (from the piano original). Not surprisingly, it has found its way into the solo guitar repertoire as well, with many top guitarists playing it through the years. It&#8217;s an undeniable classic! However, we&#8217;ve never posted it as a Pick of the Week, so we went searching for a cool version and eventually landed on this fluid, soulful, and nicely variegated one by renowned Spanish guitarist <a href=\"http:\/\/www.guitarrapetrer.com\/en\/2017\/Artista\/Ver\/20\" target=\"_blank\" rel=\"noopener\"><strong>Margarita Escarpa<\/strong>,<\/a> who among many accomplishments, won the Guitar Foundation of America (GFA) competition in 1994. She is currently a guitar teacher at the\u00a0Conservatorio Superior de M\u00fasica de Vigo in Spain, and also concertizes and teaches in other countries.<\/p>\n<h1 class=\"title style-scope ytd-video-primary-info-renderer\"><\/h1>\n","protected":false},"excerpt":{"rendered":"<p>There is certainly no shortage of guitarists performing the piano works by Isaac Alb\u00e9niz to be found on YouTube,\u00a0 and the composer&#8217;s Rumores de la Caleta (aka Malague\u00f1a ) has been popular among guitarists since Miguel Llobet wrote his transcription for two guitars (from the piano original). Not surprisingly, it has found its way into the solo guitar repertoire as well, with many top guitarists playing it through the years. It&#8217;s an undeniable classic! However, we&#8217;ve never posted it as [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":9353,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-9348","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/03\/maria-escarpa.jpg?fit=900%2C500&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=9348"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9348\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/9353"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=9348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=9348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=9348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}