{"id":9377,"date":"2018-03-13T16:46:05","date_gmt":"2018-03-13T23:46:05","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=9377"},"modified":"2018-03-13T16:46:05","modified_gmt":"2018-03-13T23:46:05","slug":"recent-sheet-music-releases-from-pascal-jugy-guinga-and-mauro-giuliani","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/recent-sheet-music-releases-from-pascal-jugy-guinga-and-mauro-giuliani\/","title":{"rendered":"Recent Sheet Music Releases from Pascal Jugy, Guinga, and Mauro Giuliani"},"content":{"rendered":"

We get so much sheet music sent to us by various publishers year \u2019round\u2014literally hundreds of pieces in every setting imaginable (solo guitar, multiple guitars, guitar-flute, guitar-harp, etc.)\u2014but we don\u2019t have the space to write about the great majority of them in our four quarterly issues each year.<\/p>\n

So, just as we occasionally write about classical-guitar album releases regularly in this online space, we also occasionally announce recent print music releases. As with the CDs, these are not reviews per se (some\u00a0will<\/em>\u00a0be reviewed in the magazine, but frankly most will not), but we think it\u2019s important to at least get the word out about what\u2019s being offered to guitarists out there. Where possible, we\u2019ve linked the titles to the publisher\u2019s website or some other outlet where it can be purchased, and stated the degree of difficulty (if provided by the publisher or it\u2019s obvious).\u00a0\u00a0\u2014Blair Jackson\u00a0<\/em><\/p>\n

\"\"
\nPascal Jugy<\/strong>
\nAdios Latinos<\/strong><\/em><\/a>
\nEditions Combre, 5 pp.<\/p>\n

This appealing advanced piece by French composer Pascal Jugy (b. 1964) does, as the title implies, have a strong Latin undercurrent, however the delicate mid-section, with its harmonics and other effects sounds more Asian. The publisher says the piece “conjures tango, flamenco, and malague\u00f1a” and utilizes arpeggios, unusual scales, campanella, and rasgueado.” I like this piece a lot!<\/p>\n

Andreas Hiller, one of the dedicatees of the piece, plays it on a 10-string guitar. It is designed to be played on a 6-string <\/em>or 10-string, though in the video I don’t see any significant utilization of strings beyond the first 6.<\/em><\/p>\n