{"id":9595,"date":"2018-04-08T11:50:33","date_gmt":"2018-04-08T18:50:33","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=9595"},"modified":"2018-04-08T11:50:33","modified_gmt":"2018-04-08T18:50:33","slug":"sunday-prodigy-12-julia-lange-14-ronja-schubert-13-and-jessica-bender-15-play-paolo-bellinatis-baiao-de-gude","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/sunday-prodigy-12-julia-lange-14-ronja-schubert-13-and-jessica-bender-15-play-paolo-bellinatis-baiao-de-gude\/","title":{"rendered":"Sunday Prodigy #12: Julia Lange (14), Ronja Schubert (13), and Jessica Bender (15) Play Paolo Bellinati&#8217;s &#8216;Bai\u00e3o de Gude&#8217;"},"content":{"rendered":"<p>This week we feature three talented young German guitarists\u2014Julia Lange (14), Ronja Schubert (13), and Jessica Bender (15)\u2014playing as a trio Frankfurt in 2013. Not surprisingly, all three started studying guitar before the age of 10 and have worked with a number of teachers, including Stephen Werner, Thorston M\u00fcller, and others. Here, they play a 1980s piece by Brazilian composer\/guitarist Paolo Bellinati called Bai\u00e3o de Gude, which was originally written for soprano saxophone and an ensemble consisting of guitar, piano, bass, and drums, but in 1989 was re-tooled by Bellinati as a three-guitar piece (and was first recorded that way on his <em>Guitares du Br\u00e9sil<\/em> album, playing all three parts himself). In the mid-&#8217;90s he also wrote a four-guitar version, and that seems to be the most popular, as guitar quartets outnumber trios. In the video, the guitarists appear left to right as listed above: Lange, Schubert, Bender.\u00a0 \u2014<em>Blair Jackson<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week we feature three talented young German guitarists\u2014Julia Lange (14), Ronja Schubert (13), and Jessica Bender (15)\u2014playing as a trio Frankfurt in 2013. Not surprisingly, all three started studying guitar before the age of 10 and have worked with a number of teachers, including Stephen Werner, Thorston M\u00fcller, and others. Here, they play a 1980s piece by Brazilian composer\/guitarist Paolo Bellinati called Bai\u00e3o de Gude, which was originally written for soprano saxophone and an ensemble consisting of guitar, piano, [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":9599,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-9595","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/04\/Bellinati.jpg?fit=427%2C240&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=9595"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9595\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/9599"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=9595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=9595"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=9595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}