{"id":9626,"date":"2018-04-13T16:34:42","date_gmt":"2018-04-13T23:34:42","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=9626"},"modified":"2018-04-13T16:35:20","modified_gmt":"2018-04-13T23:35:20","slug":"video-pick-of-the-week-tatyana-ryzhkova-plays-mauro-giulianis-sonata-in-c-major-op-15","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-tatyana-ryzhkova-plays-mauro-giulianis-sonata-in-c-major-op-15\/","title":{"rendered":"Video Pick of the Week: Tatyana Ryzhkova Plays Mauro Giuliani&#8217;s &#8216;Sonata in C Major Op. 15&#8217;"},"content":{"rendered":"<p>Belarusian guitarist\u00a0<a href=\"http:\/\/www.tatyana-guitar.com\/?lang=en\" target=\"_blank\" rel=\"noopener\">Tatyana Ryzhkova <\/a>has been a top player in Europe for a number of years, popular on the festival circuit\u2014and worldwide through her numerous YouTube videos. She&#8217;s a wonderful player, as this spirited version of a sonata written in 1812 by Mauro Giuliani (1781\u20131829) shows. An added treat is that the piece is played on a restored 1916 Hermann Hauser I guitar! Tatyana&#8217;s most recent CD is called <em><a href=\"https:\/\/supr.com\/tatyanasshop\/cds\/tatyana-ryzhkova-dreams-of-a-russian-summer\/\" target=\"_blank\" rel=\"noopener\">Dreams of a Russian Summer<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Belarusian guitarist\u00a0Tatyana Ryzhkova has been a top player in Europe for a number of years, popular on the festival circuit\u2014and worldwide through her numerous YouTube videos. She&#8217;s a wonderful player, as this spirited version of a sonata written in 1812 by Mauro Giuliani (1781\u20131829) shows. An added treat is that the piece is played on a restored 1916 Hermann Hauser I guitar! Tatyana&#8217;s most recent CD is called Dreams of a Russian Summer.<\/p>\n","protected":false},"author":11,"featured_media":9627,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-9626","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/04\/tatyana.jpg?fit=760%2C396&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=9626"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9626\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/9627"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=9626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=9626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=9626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}