{"id":9631,"date":"2018-04-15T14:35:06","date_gmt":"2018-04-15T21:35:06","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=9631"},"modified":"2018-04-15T14:35:06","modified_gmt":"2018-04-15T21:35:06","slug":"sunday-prodigy-13-yossi-kohrman-glaser-plays-the-allegro-from-barrios-la-catedral","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/sunday-prodigy-13-yossi-kohrman-glaser-plays-the-allegro-from-barrios-la-catedral\/","title":{"rendered":"Sunday Prodigy #13: Yossi Kohrman-Glaser Plays the Allegro from Barrios&#8217; &#8216;La Catedral&#8217;"},"content":{"rendered":"<p>Here&#8217;s the first-place performance at the 2009 Guitar Foundation of America (GFA) International Youth Competition, Junior Division. American guitarist Yossi Korhman-Glaser, who had been studying guitar since he was six, took the top honors that year in Ithaca, New York. He plays the allegro of Agust\u00edn Barrios&#8217; <em>La Catedral<\/em>. From what I can tell, Yossi&#8217;s primary teacher was Andrew LaFreniere, a Suzuki method instructor. \u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s the first-place performance at the 2009 Guitar Foundation of America (GFA) International Youth Competition, Junior Division. American guitarist Yossi Korhman-Glaser, who had been studying guitar since he was six, took the top honors that year in Ithaca, New York. He plays the allegro of Agust\u00edn Barrios&#8217; La Catedral. From what I can tell, Yossi&#8217;s primary teacher was Andrew LaFreniere, a Suzuki method instructor. \u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":9633,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-9631","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/04\/yossi.jpg?fit=480%2C360&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9631","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=9631"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9631\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/9633"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=9631"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=9631"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=9631"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}