{"id":9688,"date":"2018-04-22T20:21:13","date_gmt":"2018-04-23T03:21:13","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=9688"},"modified":"2018-04-22T20:21:47","modified_gmt":"2018-04-23T03:21:47","slug":"sunday-prodigy-14-inon-13-and-rien-10-medjugorac-play-de-lhoyers-nocturne-and-more","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/sunday-prodigy-14-inon-13-and-rien-10-medjugorac-play-de-lhoyers-nocturne-and-more\/","title":{"rendered":"Sunday Prodigy #14: Inon (13) and Rien (10) Medjugorac Play de Lhoyer&#8217;s &#8216;Nocturne&#8217; and More"},"content":{"rendered":"<p>For the final entry (for now, anyway) in our Sunday Prodigy series, here are Croatian sisters Inon and Rien Medjugorac sounding totally in-sync and confident as they work through pieces by Antoine de Lhoyer and\u00a0Ernst Gottlieb Baron. The girls&#8217; primary teacher (who has obviously done a good job!) is professor Igor Paro. Enjoy! \u00a0\u2014<em>Blair Jackson<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For the final entry (for now, anyway) in our Sunday Prodigy series, here are Croatian sisters Inon and Rien Medjugorac sounding totally in-sync and confident as they work through pieces by Antoine de Lhoyer and\u00a0Ernst Gottlieb Baron. The girls&#8217; primary teacher (who has obviously done a good job!) is professor Igor Paro. Enjoy! \u00a0\u2014Blair Jackson<\/p>\n","protected":false},"author":11,"featured_media":9690,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-9688","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/04\/croatians.jpg?fit=1280%2C720&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=9688"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9688\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/9690"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=9688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=9688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=9688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}