{"id":9747,"date":"2018-04-27T11:07:59","date_gmt":"2018-04-27T18:07:59","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=9747"},"modified":"2018-04-27T11:07:59","modified_gmt":"2018-04-27T18:07:59","slug":"video-pick-of-the-week-the-sheu-pettit-duo-plays-brouwers-sonata-de-los-viajeros","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-the-sheu-pettit-duo-plays-brouwers-sonata-de-los-viajeros\/","title":{"rendered":"Video Pick of the Week: The Sheu Pettit Duo Plays Brouwer&#8217;s &#8216;Sonata de los Viajeros&#8217;"},"content":{"rendered":"<p>The new Summer 2018 issue of <em>Classical Guitar<\/em> will be coming off the printing presses in early May, and gracing our cover this time is the great Cuban composer\/arranger\/conductor <a href=\"https:\/\/en.wikipedia.org\/wiki\/Leo_Brouwer\" target=\"_blank\" rel=\"noopener\">Leo Brouwer<\/a>, who sat down for an interview with <em>CG<\/em>&#8216;s Julia Crowe during Brouwer&#8217;s February trip to the U.S., his first in 18 years.<\/p>\n<p>So, that sounds like a good excuse to feature one of Brouwer&#8217;s works for this week&#8217;s Video Pick. In this freshly minted clip, the dynamic guitar duo of <a href=\"http:\/\/www.sheupettitduo.com\" target=\"_blank\" rel=\"noopener\">Connie Sheu and Adam Pettit<\/a> (last featured in a Video Pick performing <a href=\"http:\/\/classicalguitarmagazine.com\/video-pick-of-the-week-sheu-pettit-duo-plays-andrew-yorks-virtu\/\" target=\"_blank\" rel=\"noopener\">Andrew York&#8217;s Virtu<\/a>), play the lively fourth (final) movement of Brouwer&#8217;s 2009 <em>Sonata de los Viajeros<\/em>, called &#8220;Por el Mar de las Antillas.&#8221; It has a very strong, rhythmic, Latin-folk vibe. An excellent studio recording of the entire <em>Sonata<\/em> appeared on the Brasil Guitar Duo&#8217;s\u00a0 2015 Naxos release <a href=\"https:\/\/www.naxos.com\/catalogue\/item.asp?item_code=8.573336\" target=\"_blank\" rel=\"noopener\"><em>Leo Brouwer: Music for Two Guitars<\/em><\/a>. \u2014<em>Blair Jackson<\/em><\/p>\n<h1 class=\"title style-scope ytd-video-primary-info-renderer\"><\/h1>\n","protected":false},"excerpt":{"rendered":"<p>The new Summer 2018 issue of Classical Guitar will be coming off the printing presses in early May, and gracing our cover this time is the great Cuban composer\/arranger\/conductor Leo Brouwer, who sat down for an interview with CG&#8216;s Julia Crowe during Brouwer&#8217;s February trip to the U.S., his first in 18 years. So, that sounds like a good excuse to feature one of Brouwer&#8217;s works for this week&#8217;s Video Pick. In this freshly minted clip, the dynamic guitar duo [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":9751,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[],"class_list":["post-9747","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/04\/sheu-pettit.jpg?fit=800%2C533&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=9747"}],"version-history":[{"count":0,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9747\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/9751"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=9747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=9747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=9747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}