{"id":9779,"date":"2018-04-29T15:58:06","date_gmt":"2018-04-29T22:58:06","guid":{"rendered":"http:\/\/classicalguitarmagazine.com\/?p=9779"},"modified":"2021-07-20T12:43:28","modified_gmt":"2021-07-20T19:43:28","slug":"watch-julian-bream-play-villa-lobos-choros-no-1","status":"publish","type":"post","link":"https:\/\/classicalguitarmagazine.com\/watch-julian-bream-play-villa-lobos-choros-no-1\/","title":{"rendered":"Watch Julian Bream Play Villa-Lobos&#8217; &#8216;Ch\u00f4ros No. 1&#8217;"},"content":{"rendered":"<p>A lot of people really seemed to enjoy the video we posted recently of Julian Bream and John Williams performing together, so here&#8217;s &#8220;half&#8221; an encore: Bream solo playing Heitor Villa-Lobos&#8217; <em>Ch\u00f4ros No. 1<\/em>, written in 1920 and dedicated to fellow Brazilian guitarist and composer Ernesto Nazareth.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A lot of people really seemed to enjoy the video we posted recently of Julian Bream and John Williams performing together, so here&#8217;s &#8220;half&#8221; an encore: Bream solo playing Heitor Villa-Lobos&#8217; Ch\u00f4ros No. 1, written in 1920 and dedicated to fellow Brazilian guitarist and composer Ernesto Nazareth.<\/p>\n","protected":false},"author":11,"featured_media":9782,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"video","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[6,7],"tags":[145,109],"class_list":["post-9779","post","type-post","status-publish","format-video","has-post-thumbnail","hentry","category-news","category-watch","tag-julian-bream","tag-villa-lobos","post_format-post-format-video"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/classicalguitarmagazine.com\/wp-content\/uploads\/2018\/04\/bream.jpg?fit=1153%2C649&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9779","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/comments?post=9779"}],"version-history":[{"count":1,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9779\/revisions"}],"predecessor-version":[{"id":16575,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/posts\/9779\/revisions\/16575"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media\/9782"}],"wp:attachment":[{"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/media?parent=9779"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/categories?post=9779"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/classicalguitarmagazine.com\/wp-json\/wp\/v2\/tags?post=9779"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}